• Annual Blanket
One yearly license fee covers unlimited music use. Fee varies with
type of usage and market size.
• Clearance
The type of permission granted by a license agreement.
• Clearance Categories for Programs:

All TV Media: Telecast on all free TV, cable (basic & pay subscription),
and digital TV & DBS.
Free TV: Telecast on free TV only. Includes re-transmission on basic cable service
(does not include basic or pay subscription).
Cable: Telecast on cable (basic and pay subscription), digital TV and DBS.
Internet: Web cast on the Internet in linear or non-linear, non-downloadable
form only.
Radio: Broadcast on radio.
In-Transit Exhibition, Common Carrier and Closed
Circuit Transmission: Broadcast
or exhibition on a closed circuit system and on boats, trains, planes or any
form of transportation in which entertainment is supplied by the carrier.
• Copyright
Copyright is the right granted by law to the creators of original literary, dramatic,
artistic and musical works to ensure that copyright owners are rewarded for the
exploitation of their works. Copyright protection begins as soon as an original
piece of music is written or recorded. This means that the writer (or his/her
publisher if they have one) has the right to determine who can make recordings,
or copy previously made recordings, of his/her work, and under what terms.
• Film Festival
Exhibition at festivals for awards only.
• Infomercials
Extended length productions that promote a product or service for commerce.
• Laser
Drop (Needledrop)
A single use of music in a production. If use exceeds the length of the original
composition (looping), then an additional needledrop has occurred.
• Local Commercial
Airing in a single state only, and in no major markets
• Musical work
The copyright in a musical work, including any lyrics, belongs to the songwriter
or composer who wrote the work. It is often assigned to, or exclusively licensed
or administered by a music publisher. The copyright period may vary but in most
cases it will expire seventy years after the year of the death of the composer
or last surviving co-writer.
• National /Nationwide Commercial
Airing in the U.S. in either, at least two major markets* or more than five states.
Major markets are New York City, Los Angeles, Chicago, Dallas and Miami.
• Needledrop
A single use of music in a production. If use exceeds the length of the original
composition (looping), then an additional needledrop has occurred.
• Non-Broadcast Production
Programs or presentations that are linear and non-broadcast (and will not be
transmitted either by broadcast signal or cable). Usually corporate in-house
program and presentation productions not intended for broadcast or cable transmission
to the public.
• Performance
The rights to an artist's performance belong to that performer. This right applies
to all types of performance including a performance in a studio for recording
purposes. Rights in most artists' performances on record are dealt with by the
record company which owns that recording, but there are circumstances when a
performers' rights must be addressed separately.
• Performing Rights
These are generally the responsibility of the broadcast user. In the case of
broadcasters (radio, TV, cable and satellite) it is customary and generally the
responsibility of the broadcaster to have negotiated licenses for these rights
with the performing rights organization in the United States (ASCAP, BMI and
SESAC).
• Production Blanket
Unlimited music use in a single production. License fee is based upon production
length and market.
• Productions for Distribution
Audio/video cassette or disc produced in a linear fashion for distribution or
sale to the general public or a select audience.
• Production Music
Often referred to as Library
Music, this music is produced exclusively for inclusion
in professional audio-visual productions. High quality recordings reflecting
a wide range of musical styles are available to audio-visual producers for licensing
at a fixed, cost-effective rate license fee. All rights generally required by
producers are licensed simultaneously.
• Promos
Productions that promote program viewing.
• PSA
Public Service Announcement: non-profit productions provide information or service
to the general public.
• Public Domain (PD) Music
When the term of a copyright has expired, the musical work or sound recording
to which that copyright applied is considered public property. No license is
required in these circumstances; however, producers are advised to take great
care in confirming that any music they consider to be in public domain is actually
PD.
• Publisher
The organization, company or administrator of rights for musical compositions
that are intended for distribution.
• Regional Commercial
Airing in up to, and including five states which may include a single major market.
Major markets are New York City, Los Angeles, Chicago, Dallas and Miami.
• Revision
Any change or alteration to an existing production. This change can be audio,
visual or both. Any revision requires a new and separate license, since this
is considered a new and separate production.
• Sound Recording
The copyright in a sound recording belongs to the person or company who made
the recording. This is usually deemed to be the record company, which holds a
contract with the artist performing on the recording.
• Tags
A short segment added to the main body of a commercial that presents additional
information regarding the product or identifies a different market the commercial
is aired in. Each tag requires a new license.
• Telephone (Message or Music) On-Hold
Telephone on-hold with either message with music or music only.
• Territories
The geographic area covered by a license. Commonly referred to categories - Worldwide,
National /Nationwide, Regional, Local.
• Term
The duration of the license.
• Theatrical
Exhibition in public venues for entertainment.
• Theme Use
A single piece of music used on multiple occasions to create a common audio identity.
• Worldwide
Airing nationally in any country and/or outside of the U.S.
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